thanks to Pablos help (who spent the whole day with me, working in my room) i’ve been able to start the setup of my homestudio. removing mountains of “elektroschrott” (electrical scrap) mixed with dust and ashes that i’ve been collecting on my second big desk, literally for years … now the machines are in place, nearly ready to run:
there’s missing the cabling and i realized, that my mixer didn’t like the years without mixing (and the dust, of course) … but a start is made, and my motivation is still high 🙂
i had to check out my new sound toy: a lumanoise v.02 (a light controlled synth):
aside from that i did a little research concerning playing music together live and online – which could be a nice highlight as you suggested to keep the motivation high for the 1000 tracks … i found some starting points to free software that could be explored further:
I got one idea for a way of collaboration – inspired by the work of Conrad Schnitzler. I had the idea to take one of his basic principles on which he has been working his whole life: in his early works in the seventies he started to work with several simple cassette players. Each one served like a track in a mixer. It was possible to influence two basic parameters: play/stop and volume. In his walking performances alone (as 3-track mixer) or together with another musician (another 3-track mixer) or with several musicians (each one playing one track), as you see in the stills from the videos:
He was working in producing 1000 different cassettes (= tracks) to be played in this way in a concert (but didn’t finish the 1000).
So my idea is to work (with digital means) in a similar way: produce 1000 tracks that can be played together. I did some work in Ableton and prepared 8 tracks, mixing them (with some more parameters than just play/stop and volume) and recording this mix:
It would be very easy to create a setup for a lot of tracks (basically this can be done in each sound editor who is able to handle multi tracks).
A tram trip followed by a bus journey through Communist East Berlin, East Germany shortly before the Iron Curtain was ripped from top to bottom, with views of contemporary cars, lorries, buses & trams along the way.
Best comment: If somebody asks if that has been captured by mobile phone, I will die :)))
Last night I encountered SuperCollider: an environment and programming language for real time audio synthesis and algorithmic composition. Great sounds, complex possibilities of composition and as well: live sound processing. Could be very useful for our ‘cotidianity 3.0’. I couldn’t find out if it offers as well possibilities of real time image processing … somewhere i saw that it is possible to connect it with Processing to be able to do both: sound and image. A huge field opens …