8_1000_170417

I got one idea for a way of collaboration – inspired by the work of Conrad Schnitzler. I had the idea to take one of his basic principles on which he has been working his whole life: in his early works in the seventies he started to work with several simple cassette players. Each one served like a track in a mixer. It was possible to influence two basic parameters: play/stop and volume. In his walking performances alone (as 3-track mixer) or together with another musician (another 3-track mixer) or with several musicians (each one playing one track), as you see in the stills from the videos:

He was working in producing 1000 different cassettes (= tracks) to be played in this way in a concert (but didn’t finish the 1000).

So my idea is to work (with digital means) in a similar way: produce 1000 tracks that can be played together. I did some work in Ableton and prepared 8 tracks, mixing them (with some more parameters than just play/stop and volume) and recording this mix:

It would be very easy to create a setup for a lot of tracks (basically this can be done in each sound editor who is able to handle multi tracks).

Next Stop: Conrad Schnitzler

Inspired by a three hour emission by Deutschlandfunk i started to research about Conrad Schnitzler. Paraphrasing the intro text:

A Long Night About Conrad Schnitzler
Sometimes even music comes out

By Beate and Stefan Becker

Chirping, bubbling, flickering: it sounds like factory sirens, sometimes like a chattering train. Intermedia artist Conrad Schnitzler mixes all these sounds into new music. As a craftsman without musical education, he becomes an important “sound worker” – and is regarded as one of the pioneers of the electronic music scene of the 1970s.

Conrad Schnitzler (1937 – 2011) was inspired by the new music from Cage to Stockhausen. In 1968 he opened the first underground club in Berlin with Zodiak as a space for happenings, theater and music performances.

Here two short portraits:

Here you find a huge listing of videos and sounds available in the web: http://fancymoon.com/con_s/video.shtml

Super: SuperCollider

Last night I encountered SuperCollider: an environment and programming language for real time audio synthesis and algorithmic composition. Great sounds, complex possibilities of composition and as well: live sound processing. Could be very useful for our ‘cotidianity 3.0’. I couldn’t find out if it offers as well possibilities of real time image processing … somewhere i saw that it is possible to connect it with Processing to be able to do both: sound and image. A huge field opens …